Live performance with Carol Batton

Now I can speak same Yingmei Duan. This means I no need to speak Yiddish, just Yingmeish.

With a word knowledge of 15,000 words, I was never understood, but now I talk yingmeish.

I am no longer considered mad, except we talked about my madness together in the Chinese Arts Centre,

on 24th October 2009.

Yingmei Duan said it was ‘Performance’, and it was a ‘right performance’.

And now everyone knows …………………..I’m SANE!!!!!

We are both happy, and

Yingmei keeps saving me, frequently, because I mad.

She saves me to C-drive.

I will keep speaking Yingmeish so I can be understood.

Carol Batton 27th October 2009

Carol Batton was discovered as a poet-performer, in Manchester, ( by Yingmei Duan in 2009), 58 years after Carol’s mother discovered Carol, and up to twenty years after everyone else, and maybe six years until the Germans will find out?

“Naturally”, Carol Batton was taught,

Deliberately… without, “Acting”,

And then for the first time Carol stopped Acting,

and this natural performance,

led by Arts Education Research Practitioner, Yingmei Duan,

was realistic, real-life and real time.

Meditation,(including Ti-Chi), Autumn Visualization with the Winter Tree poem.

semi-prepared conversation, the hiding of written wishes, Chinese improvised singing, dancing,

live poetry, music, audience recipients of personally designed poems…

Everyone joined in.

Even the Artworks in the Chinese Arts Centre, had planned involvement.

Was it ‘Performance’ or ‘Workshop’ or ‘Therapy’?

All to explain that psychiatry, itself, is the madness, which, hurts the harmed.

And allow the voice, of Carol Batton, to explain how the ‘Mad’ are destroyed further,

after life experience has often harmed them previously.

And Art is the true sanity.

Yingmei Duan was given a ruler and tasked with ‘Measuring the sky’, and off she went to measure it, with a ruler and a poem in support, in the background. At the end of the poem, she still had not measured it , and the sky remains unmeasured to this day?…

Two CD tracks were played involving Carol Batton’s words.

Three different poems, on card, were available to take away…

The hidden wishes were never found…

The audience became saner…

The psychiatric system remains bad…

The British clocks went back by one hour and it went darker…

Carol Batton, who is not used to performance, slept for two days…

Yingmei Duan, who is not used to clocks changing time for Winter,Yingmei Duan, who is not used to clocks changing time for Winter, Woke up, and became busier, as the residency reached to the final, (Third), month.

现在我可以说同样的英美段了。这意味着我不需要说意第绪语，只说英美语。

一万五千字的识字，一直没听懂，现在讲英美。

我不再被认为是疯子，除了我们在中国艺术中心一起谈论过我的疯子，

2009 年 10 月 24 日。

段英美说这是表演“，这是一场正确的表演”。

现在每个人都知道…………………………我很清醒！！！！

我们既开心，又

英美经常救我，因为我疯了。

她把我救到C盘。

我会继续说英美语，这样我才能被理解。

卡罗尔·巴顿 2009 年 10 月 27 日

卡罗尔·巴顿 (Carol Batton) 在曼彻斯特被发现是一位诗人兼表演者（由段英美于 2009 年发现），距离卡罗尔的母亲发现卡罗尔已经 58 年，比其他人晚了 20 年，也许还有 6 年德国人会发现？

“自然”，卡罗尔·巴顿被教导，

故意……没有，“代理”，

然后卡罗尔第一次停止表演，

而这种自然的表现，

由艺术教育研究从业者段英美领衔，

是现实的、真实的和实时的。

冥想，（包括 Ti-Chi），用冬树诗作秋观。

半准备的谈话，隐藏的书面愿望，中国即兴唱歌，跳舞，

现场诗歌、音乐、个人设计诗歌的听众接受者……

每个人都加入了。

甚至中国艺术中心的艺术品，也有计划的参与。

什么是“表演”或“工作坊”或“治疗”？

一切都是为了解释精神病学本身就是一种伤害受伤害者的疯狂。

让卡罗尔·巴顿的声音解释“疯子”是如何被进一步摧毁的，

在生活经历之前经常伤害他们之后。

艺术是真正的理智。

段英美得到了一把尺子，任务是“量天”，她去量尺，背着尺子和一首诗。诗的最后，她还没有量过，天还没有量到今天？……

播放了两首涉及卡罗尔·巴顿 (Carol Batton) 的话的 CD 曲目。

三首不同的诗歌，在卡片上，可以带走……

隐藏的愿望从未被发现……

观众变得更清醒了……

精神系统仍然很糟糕……

英国的时钟倒退了一个小时，天变黑了……

不习惯表演的卡罗尔·巴顿睡了两天……

不习惯冬天换钟的段颖梅，不习惯冬天换钟的段颖梅醒来，变得更忙了，驻地已经到了最后（第三）月。