艺评索引

艺评索引

Books

Jürgen Bernhard Kuck (ed.), “Yingmei Duan, Performance and Installation Art”, Berlin (Lehmanns media) 2012, (in Vorbereitung)

Jürgen Bernhard Kuck (ed.), “Verkündigung”, Barleben (docupoint Kunst) 2012, P. 22-23, 78-81

Bamford, Kiff, Lyotard and the ‘Figural’ in Performance, Art and Writing, London (Continuum), 2012, P.15-17

Bonaventure Soh Bejeng Ndikung, Somone Kraft, Pauline Doutreluingne, “NOMADIC SETTLERS-SETTLED NOMADS”, Berlin (Revolver Publishing) 2011, P. 78-79

“Imagine the Future”, Tbilisi (ARTISTERIUM 3, 3rd Tbilisi International Contemporary Art Exhibition and Art Events) 2010, P. 176-177

Elin Lundgren, Petter Pettersson, Jonna Ölund, “Lilith Performance Studio 2007-2009”, Malmö (Lilith Performance Studio) 2009, P. 62-65

Paula Orrell (ed.), “Marina Abramovic + The Future of Performance Art”, Munich, Berlin, London, New York (Prestel), 2009, P. 125-128

Carissa Farrell (ed.), “VISUAL”, Carlow (Visual Centre for Contemporary Art & the George Bernard Shaw Theatre) 2009, P. 74-75

Marina Abramovic, “Student Body. Workshops 1979-2003. Performances 1993-2003”, Milano (Edizioni Charta) 2003, P. 186-193“

KasselerKunstVereinsHeim 14, Juni bis September 2007”, Kassel (Kasseler Kunstverein) 2008, P. 160-163“

Positionen 1970-2008 // Vom feministischen Aufbruch zur Normalität”, Darmstadt (Frauenforschungszentrum der TU Darmstadt) 2008, P. 26-29

Ismael Ivo, “Body & Eros, 5. Festival Internationale di Danza Contemporaneo, La Biennale di Venezia”, Venezia (Marsilio), 2007, P. 75

Sarah Champion (ed.), “Vital – International live artists of Chinese descent”, Manchester (Chinese Arts Centre) 2007, P. 64, 74-75

Tely Büchner, “Happy birthday. Fünfzehn Jahre Galerie im Kunsthaus Erfurt”, Erfurt (Galerie im Kunsthaus Erfurt), Germany, 2006, p.12-13

Jane Kallir, “EGON SCHIELE LOVE AND DEATH” Van Gogh Museum, Amsterdam (Hatje Cantz Publishers) 2005, p. 170“

Recycling the Future / viverevenezia 2” La Biennale di Venezia, Venezia (Marsilio Editori) 2003, P. 90

Articles

Susanne Jasper: “Die Stunde mit dem drallen Schweinchen”

Braunschweiger Zeitung, Germany, 05/11/2003

Alexander Huber: “Kunst mit Ohrfeige nach dem Prinzip Kurzfilm”

Braunschweiger Zeitung, Germany, 05/06/2002

Ulrike Winter: “Dickes Lob für schräges Zwickau”

Zwickauer Zeitung, Germany, 26/06/2001

Sara Thiel: “Gegen die Verflachung der Kultur angestänkert”

Zwickauer Zeitung, Germany, 26/06/2001

“Dramatik des Ausdrucks und pure Natur”

Landkreis Regensburg, Germany, 17/08/1999

“Das Material des Künstlers ist er selbst”

Mittelbayerische Zeitung, Germany, 12/08/1999

Marianne Winter: “Zäher Dialog mit trister Architektur”

Braunschweiger Zeitung, Germany, 09/07/1999

“Erotisches in dunklen Farben”

Erfurter Zeitung, Germany, 01/09/1995

Eike Küstner: “Die Frauen – frontal oder auch unwirklich geisterhaft”

Erfurter Allgemeine, Germany, 11/08/1995

Nelson Mapako

A versatile Playwright/ Director, Performance artist, Theatre Trainer and Arts Administrator who strives on exploring the limits of creativity, Nelson Mapako has been practicing professional theatre arts since 1992. He was born in Zimbabwe in 1972 where he kicked off his artistic career with Tikwele Drama Group in Hwange. Later on he formed Ezemvelo Creative Artists. He has also worked for the Zimbabwe Association of Community Theatre as a field officer for the Matabeleland region, Amazulu Arts Consultants as Programs Officer, Theatre and Development Initiative as Artistic Director and Intwasa Arts Festival koBulawayo as the inaugural Festival Administrator.

Mapako has also worked for 6 years in Swaziland (Seconded by the National Arts Council of Zimbabwe’s Bulawayo province.) where apart from being the Programs and Training consultant for Swaziland Theatre for Children and Young People he was running individual theatre projects. While in Swaziland he established the Iphi ‘Africa Project. Of late 2011/ 2012 he has conducted Acting workshops for Intwasa Arts Festival ko Bulawayo in Zimbabwe as well as ParticNelson Mapako is a prolific artist who received training in Community Theatre between 1994 and 1998 through the mentorship of the late international acclaimed artist Ngugi wa Mirri. He is a holder of a Training of Trainers Certificate in Community Theatre, A General Certificate in Intellectual property from WIPO, A Diploma in Program Management and Monitoring. He has written/directed several stage & television productions including Television puppetry productions in Swaziland (Mantentekazane Swazi Television) and Zimbabwe (Khuluza ZTV) and has also featured as an actor both on stage and television. He is a recipient of the Zimbabwe’s prestigious National Arts Merit Award (NAMA) for Outstanding Theatrical Production (OUTCAST) in 2004. He was also a nominee for the NAMA award in 2003 for his production (SIX ALL OUT) Mapako’s other works have been performed at international arts festivals such as HIFA (Social Hanger 2003) in Zimbabwe, Matiwane Manana Arts Festival in Swaziland and Out the Box in Cape Town, South Africa. Intwasa Arts Festival koBulawayo,Ibumba Arts Festival in Zimbabwe as well as the SASOL Schools Arts Festival (A project for Grahamstown Arts festival)in Witbank South Africa. ipatory Theatre Workshops for PLAN Zimbabwe/Intwasa Arts Festival.

His international collaborations include working with Yingmei Duan – a performance artist from Germany as well as Laway arts South Africa/Netherlands. Nelson’s works are pregnant with artistic, social, developmental and political issues that affect the existence of humanity. His latest work is “A drop in the Land” done in collaboration with Laway Arts South Africa/Netherlands.

Books

Articles

Nikhil Chopra

Johannes Zits

David Hancock

Di Lu

Beijing East-Village

Márcio Carvalho

Nelson Mapako

Xiaohan Han